portfolio > Pillowforms

for pricing and availability, inquire with Sea Farm City (www.seafarmcity.com)
cast stone
2 x 4 x 2
2016
Faded Nipple Lurch
cast plaster
7 x 7 x 14 inches approx
2015
for pricing and availability, inquire with Sea Farm City (www.seafarmcity.com)
cast stone
2 x 4 x 2
2016
2015
Faded Nipple Lurch (plaster pillowform 1)
plaster
approx 7 x 7 x 7 inches
2015
I Must Swallow it All
plaster
7 x 7 x 7 inches approx
2014
Poop Confetti
plaster and glitter
variable, but about 7 x 3 x 3 inches
2015
Poop Confetti III
plaster and glitter
4 x 4 x 4 approx
2015
Zepplin
pencil, flashe, and acrylic on Yupo
5.5 feet x 6 feet
2015
Teefs I
pencil, flashe and gouache on cotton paper
9 x 12 inches
2015
$300
Teefs II
pencil, flashe and gouache on cotton paper
9 x 12 inches
2015
$300
Sunshine and Sorrow I
pencil, flashe, and gesso on Stonehenge
22 x 33 inches
2014
Sunshine and Sorrow II
pencil, flashe, and gesso on Stonehenge
22 x 33 inches
2014
Yesterday and Tomorrow I
pencil, flashe, and gesso on Stonehenge
22 x 33 inches
2014
Yesterday and Tomorrow II
pencil, flashe, and gesso on Stonehenge
22 x 33 inches
2014
Rules of Court
pencil, flashe, and acrylic on Yupo
3.5 x 4.5 feet
2014
Beddest B*tch I
pencil, flashe, and gesso on Stonehenge
33 x 40 inches
2014
Beddest B*tch II
pencil, flashe, and gesso on Stonehenge
33 x 40 inches
2014
Tittayz, Tittayz, Tittayz I
pencil, flashe, and gesso on Stonehenge
22 x 33 inches
2014
Tittayz, Tittayz, Tittayz II
pencil, flashe, and gesso on Stonehenge
22 x 33 inches
2014
Expansionist
pencil, flashe, and spray paint on Stonehenge
33 x 40 inches
2014
Icon I
pencil on Yupo
19 x 33 inches
2014
Icon II
pencil on Yupo
19 x 33 inches
2014
Sumptuary Laws
pencil, flashe, and acrylic on Yupo
4 x 5 feet
2014
Untiled Study I
pencil, flashe, and gesso on Stonehenge
33 x 40 inches
2014
Untitled Study II
pencil, flashe, and gesso on Stonehenge
33 x 40 inches
2014

These pieces, wherein I use pillow forms as stand-ins for my own physical shortcomings are simultaneously a matter of conspicuous consumption and transformation.

The duality suggested by the pillow form allows for multiple suggestions and meanings, from seduction and comfort, to bulbous grotesquerie. In so doing, they investigate ideas of expectation, perfection, and realness.

However, it is not just about my perspective. Entire systems and industries have been devised to cripple women emotionally and financially through ever-shifting targets, and frothy breathless, language. I repudiate these ridiculous notions through the use of forms that though sloppy, sidle up to sensuality. Because really, who wants a tiny, hard pillow?